The Music Trust review is out – composer Gordon Kerry writes “For me another abiding memory of the 1990s was hearing Lisa Moore give the premiere of Michael Smetanin’s Stroke in the admittedly over-resonant acoustics of the Art Gallery of New South Wales. Moore has largely specialised in new music, of course, both as soloist and member of Bang on a Can, exploring and helping create a repertoire that fits perfectly with her considerable strengths as a pianist, among them a steely accuracy and impressive stamina. Both of these qualities were perfect for Smetanin’s jagged yet highly detailed music, as they are for Adams’ often-granitic music….Moore is on fine form in this collection of fascinating and varied music, and has been beautifully served by her producer and engineer”

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