Biography

New York-based Australian musician Lisa Moore is a multifaceted pianist, recording artist, and avid collaborator. Named “la leggenda” by La Repubblica in Italy, her playing combines lyricism and virtuosity with expressive and emotional power – whether in the delivery of the simplest song, a solo recital, a concerto, or a fiendish chamber score. Given a special passion for the music of our time, Moore has performed hundreds of commissioned works and world premieres – having worked with more than two hundred living composers while residing and collaborating in the vibrant new music scene of New York City since 1985. She has been described as “brilliant and searching… beautiful and impassioned…lustrous at the keyboard” by The New York Times, and Pitchfork writes “She’s the best kind of contemporary classical musician, one so fearsomely game that she inspires composers to offer her their most wildly unplayable ideas”.

Moore has performed throughout the USA, UK, Europe, Australia, and Asia on the world’s great stages – Milan’s La Scala, Vienna’s Musikverein, Sydney Opera House (Concert Hall, Utzon Room), New York’s Carnegie Hall (Stern, Zankel, Weill) and Alice Tully Hall, Melbourne’s Hamer Hall and Recital Center (Murdoch, Potter), Amsterdam’s Royal Concertgebouw, and London’s Royal Albert Hall and Royal Festival Hall. 

Born in Australia and raised in Canberra, London, and Sydney, Lisa Moore has lived in the USA since 1980. Based in New York City since 1985, she has released twelve solo discs (Cantaloupe, Orange Mountain Music, Irreverence Group Music, Tall Poppies, Bandcamp) with music ranging from Leoš Janáçek to Philip Glass, in addition to individual tracks on Bandcamp. In 2022, Moore released her second album of music by Frederic Rzewski – no place to go but around – to compelling notice. The New York Times remarked the album is “meticulous…clever…hits the gas with controlled force” with “a greater range of emotion than other interpreters.” Gramophone writes of her 2015 Mad Rush Philip Glass disc (Orange Mountain) “what becomes abundantly clear from listening to almost any bar on this recording is Moore’s highly developed, intuitive and nuanced approach to this music, one which has been allowed to evolve and refine over a number of years”. Her 2016 CD The Stone People (Cantaloupe), featuring the music of John Luther Adams, Martin Bresnick, Missy Mazzoli, Kate Moore, Frederic Rzewski, and Julia Wolfe, was selected as one of The New York Times Top Classical Albums of 2016 and as a 2017 Naxos Critics’ Choice.

Moore has recorded over thirty collaborative discs (Sony, Nonesuch, DG, BMG, New World, ABC Classics, Albany, New Albion, Starkland, Harmonia Mundi). Her  Steve Reich Music for Eighteen Musicians (Harmonia Mundi) with Ensemble Signal was selected as one of The New York Times Top Classical Albums of 2015 list.  

For sixteen years (92-08) Moore was the founding pianist for the award-winning electro-acoustic sextet Bang On A Can All-Stars. She has performed with leading artists and ensembles – Philip Glass, Meredith Monk, Ornette Coleman, Thurston Moore, Iva Bittova, Bryce Dessner, London Sinfonietta, Steve Reich Ensemble, New York City Ballet, American Composers Orchestra, Australian Chamber Orchestra, Sydney Symphony Orchestra, and The Chamber Music Society of Lincoln Center – appearing in festivals throughout the world. 

Lisa Moore is a Steinway Artist.

Read more >