“This is, once again, industrial music for its own sake, Lisa Moore belching out the extremes of the piano’s textural, timbral potential, as if presaging the imminence of the atomic age…Moore turns the duet between sampler and Steinway into an intriguing dialectic. While the former produces a tightly-structured temporal space, she employs the latter to reclaim a more personal psychic space with agogic flexibility and liberal use of rubato. Plucked, scratched piano strings evoke the brittleness of bone, and electric sonic distortion can point either to a dystopic future or, more likely, to the lost innocence of early modernity.” — Rob Wendt, I Care If You Listen
