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March 2023

Sydney Festival review mention!

By |2023-03-13T04:54:43+11:00March 13th, 2023|Uncategorized|

The Sydney Morning Herald’s Helen Pitt did a wrap up – “back towards its best” – of the 2023 Sydney Festival here and gave Lisa the thumbs up: “New York-based Australian-born pianist Lisa Moore delivered a brilliantly lyrical performance at The Neilson in “Show Your Heart”, which she indeed did with a diverse repertoire.”

February 2023

January 2023

December 2022

October 2022

new Rzewski album review in Arkivmusic

By |2022-10-24T04:49:13+11:00October 24th, 2022|Uncategorized|

“Pianist Lisa Moore has recorded the music of Frederic Rzewski in the past, but this 2022 release, recorded not long after Rzewski’s too-little-remarked death, makes a fine memorial to the composer. In general, Moore’s playing is beautifully attuned to Rzewski’s music, which has a kinship to minimalism in its use of repeated material […]

Roman Radio RAI3 – podcast

By |2022-10-17T03:07:32+11:00October 17th, 2022|Uncategorized|

Lisa recently went on Italian radio with composer and radio presenter Francesco Antonioni to discuss her new Rzewski album. Here’s the podcast link. She starts at around 10.30″

https://www.raiplaysound.it/audio/2022/10/Radio3-Suite—Magazine-del-03102022-6fee03d5-a503-4ec1-9f0a-024a5ed06dc8.html

 

Review for Lisa’s Rome American Academy ‘salone’ concert

By |2022-10-04T00:31:54+11:00October 4th, 2022|Uncategorized|

Last night the pianist Lisa Moore performed a tightly curated, high impact program of solo piano music (and sometimes voice).  Each work had its own arc and internal organization, but what I found revelatory is the way the program as a whole told a bigger, cohesive story.  There was a definite left-leaning political edge to […]

August 2022

5 star review in The Australian for Moore’s new album

By |2022-08-22T22:51:44+10:00August 22nd, 2022|Uncategorized|

“Moore reveals the gamut of her artistry, from the Bjork-like delivery of Andrew Marvell poetry to the thunderous battering of her hapless Steinway. Here, Moore’s music is never less than dazzling and breathtaking, offering a take-no-prisoners manifesto that is urgent, vital life-affirming.”
Aug 20, 2022 – by Vincent Plush, The Australian
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