“Lisa Moore’s recital framed a selection of old-world European works by Janacek, Beethoven and Schumann with newer works from America that each, in their different ways, have redefined how we hear and think about the piano and about music….”
Read the full review HERE
“Moore played this piece with warmth, avoiding the over-mechanical approach minimalist works […]
Check out the NPR Video link HERE
Spin writes about it:
https://www.spin.com/2019/05/jonny-greenwood-tiny-desk-concert-npr-radiohead-watch/
“The second work was another Messiaen-inspired piece for solo piano, 2015’s 88 (No. 1), for which Greenwood released sheet music last year. The work requires the pianist (in this case, Lisa Moore) to put on fingerless gloves halfway through the performance—a tribute to legendary pianist […]
Have a good read HERE
for more: http://musictrust.com.au/loudmouth/lisa-moore-piano-de-la-chica-preludes-opus-8/
Read it all here and here: “Although concert pianists naturally tend toward extroversion, it takes a particularly confident performer to undertake Frederic Rzewski’s De Profundis (1992), the spotlight work on Which Side Are You On?, an all-Rzewski disc released by Cantaloupe Music in 2003. The pianist here is Lisa Moore, whose impeccable keyboard skills are […]
Check it out!
https://www.newsounds.org/story/new-newer-newest-some-wonder-down-under?sf95842239=1
‘Prelude No. 7′ has an abandoned 80s fairground vibe with the waltz-like accompaniment in the left hand and the subtle addition of ascending and descending synth passages that float around the melody like an ominous merry-go-round jingle, but from the 80s.’ (Rosa Gollan)
A Coveted Possession: The Rise and Fall of the Piano in Australia by Michael Atherton (La Trobe University Press) “His thumbnail sketches of our major pianists, from Percy Grainger, Eileen Joyce and Geoffrey Tozer to Roger Woodward and Lisa Moore, are tantalizing in their succinctness and suggest further volumes exploring the extraordinary range of the […]
