Check it out!
https://www.newsounds.org/story/new-newer-newest-some-wonder-down-under?sf95842239=1
‘Prelude No. 7′ has an abandoned 80s fairground vibe with the waltz-like accompaniment in the left hand and the subtle addition of ascending and descending synth passages that float around the melody like an ominous merry-go-round jingle, but from the 80s.’ (Rosa Gollan)
A Coveted Possession: The Rise and Fall of the Piano in Australia by Michael Atherton (La Trobe University Press) “His thumbnail sketches of our major pianists, from Percy Grainger, Eileen Joyce and Geoffrey Tozer to Roger Woodward and Lisa Moore, are tantalizing in their succinctness and suggest further volumes exploring the extraordinary range of the […]
Murray Black writes: “Lisa Moore’s impressive five-part set – the highlight was her compelling performance of Frederic Rzewski’s De Profundis in which Moore sobbed, sighed and spoke from Oscar Wilde’s text while playing the difficult piano part” (Aug 28, 2018)
Limelight Magazine writes for Recitals Australia, Elder Hall, Adelaide: “Two pianists, one spirit, one superbly delivered set of Goldberg Variations….” (June 17, 2018)
http://citynews.com.au/2018/review-the-tough-crowd-holds-its-breath/
Lisa Moore brings empathy and grace to Janaček’s solo piano works
Sat Apr 28, 2018 at 11:57 am
By George Grella
Before she sat down at Bargemusic Friday night to play all of Leos Janaček’s solo piano compositions, Lisa Moore told the audience that the composer “wasn’t romantic, he wasn’t modern, he was just Janaček.”
Maybe that’s […]
